composed 2012 – 2013
Bounds treats recorded sound as infinitely malleable; from grains to pulses to pitches to rhythms, loops and cycles; interruptions, repetitions, spaces, pauses; strings in a continuum. Sounds sourced from percussion instruments, subjected to techniques of micro-editing and impulse-response reverb. Acoustic events become alien tones in strata of (artificial) real space.
Album art by Harrison Higgs