SNKR (with Kelly Rauer)

SNKR was a collaborative project with movement and video artist Kelly Rauer, resulting in videos, sounds, performances and hybrid combinations thereof.

Continue reading “SNKR (with Kelly Rauer)”

A Portland Circus on Cage’s Silence (with Linda Austin)

 

This performance, celebrating the 100th anniversary of John Cage’s birth, was curated by Mack McFarland at the Pacific NW College of Art.  Dancers, musicians and a poet were stationed in all areas of the building’s large open atrium, along balconies and in far flung corners.  Multiple and varied activities surrounded the mobile audience.

Continue reading “A Portland Circus on Cage’s Silence (with Linda Austin)”

Children’s Games

wild_med

Children’s Games was an evening-length performance combining cinematic images with sung and spoken voice, abstract sound, and performative actions.  The piece drew inspiration from the 1560 Breughel painting (of the same name) and the 1970 Truffaut film, The Wild Child.

Children’s Games celebrated the associative, fragmentary and irrational aspects of play and explored the traumatic colonizations of wild space.  Onstage, a chorus dressed in the medieval garb of the Breughel painting conduct vocal games and patterns.

Video projections, recorded sound and live voices mingle before giving way to an enigmatic noise band.

Continue reading “Children’s Games”

Bandage a Knife (with Linda Austin Dance)

This dance performance, created and co-directed with Linda Austin, was based on a “forgetting” of Seijun Suzuki’s 1967 cult yakuza film, Branded to Kill.  Themes, images and language emerged in our thinking through and half-remembering the freewheeling surrealism of the film.  Against the back wall, projected fragments of video narrative and noir imagery flashed amidst the dancers.

Continue reading “Bandage a Knife (with Linda Austin Dance)”

Flock & Tumble

IMG_6919

This performance combined 6-channel recorded sound with 12 live vocalists and 4 video projections.  The performers flashed colored lights and moved through the large warehouse in simple geometrical configurations. Interacting with the spatialized recorded textures, they produced clusters of sound with voices and sound-making objects. Encircling and moving among the audience, the percussive whacking of boards strapped to feet, rustling of large laurel branches and the tonal friction of small bells dragged across the floor.  Patterns were informed by research into the emergent properties seen in schools of fish or swarms of swallows. On the four projections, colorful flashes of images: painted faces screaming, dancing figures, recombining words.

Continue reading “Flock & Tumble”