I accompanied Bill Will’s exhibition of kinetic sculptures Fun House with a four-channel generative sound installation. An extensive library of individual sound events were randomly triggered and spatialized throughout the gallery in ever-changing combinations and layers. Sound events ranged in length from a few seconds to several minutes and were derived from the sound of a single snare drum hit – from quiet buzzing and drones to rumbles and pops. Sudden bursts of sound emerged from silences. As visitors activated the noisy sculptures, the installation provided a parallel sonic environment.
Ronna & Eric Hoffman Gallery of Contemporary Art at Lewis & Clark, Portland OR
Sept. 10 – Dec. 10, 2017